Developed by technical analyst James Clarke, the De-mix process opens up access to previously locked recordings, allowing audio engineers to craft new mixes and masters. Creating a superior listening experience for music fans, the De-mix process reinvigorates catalogue and breathes new life into forgotten tracks or bootlegs.
Using algorithms that are trained on target instruments, De-mix can extract these components to enhance or reduce targeted EQ or isolation. Not only can De-mix be used to adjust the levels of musical elements within a mix, it can also make vocal isolation or removal a reality. The new process unlocks mono recordings or those where full multi-tracks do not exist.
Detailed analysis of your brief against the existing audio, to access feasibility and the best De-mixing method.
Into the best possible source material, thanks to our in-house archiving expertise and extensive network.
Designing ‘audio source models’ to enable De-mixing and the audio separation process.
Client review and approval which allow us to revisit the process and finesse specific details.
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